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CULTURE, ARTS AND SOCIETY

Past Program

Mar 25 - Mar 30, 2023 S799-01

On the Front Line: Artists at Risk, Artists Who Risk

Salzburg, Austria

Overview

War and conflict is spreading, as is oppression to quash populations who demand democracy, coupled with serious threats to existing pluralist liberal democracies. Racial, ethnic, and gender equality is both increasing and at the same time subject to repression from those who fear it. Meanwhile, an impending climate catastrophe threatens the most vulnerable communities and the rights of future generations.

In face of these existential disruptions and risks, artists often find themselves on the front lines of movements for change, using their power and practice to envision better futures, stimulate collective action, and drive change across sectors and scales. As agents of change, artists can become subject to a myriad of threats, whether from deliberate political misinterpretation, harassment and censorship, or physical and psychological harm.

Through the lenses of artists at risk and artists who risk, this program explored the intersection of contemporary art, activism, politics, law, research, technology, ethics and organizing. The program was a space where artists were central, and where debate, introspection, and exchange attempted to bridge a diversity of perspectives, create new ideas and build commitment to strategies for action.

FRONT LINES

Although manifested differently in different societies and with differentiated responses, for the purposes of this program, we defined front lines that artists are working on as follows:

  • Confrontations between authoritarian and democratic systems, whether emerging or established.
  • Assertions of racial, ethnic, and gender equality and equity in the face of growing polarization and populist intransigence.
  • On-going repression, conflict and the cooptation of militias, police, and militaries to suppress freedoms.
  • Pandemics, climate upheavals, and the primacy of economic power that together squeeze the space for creative and artistic responses.
  • Populism and social media driving rage rather than facilitating positive collective reflection.

These phenomena demonstrate some of the ever-exacerbating disconnects in how we relate to each other, our systems of governance, and the planet, and provided a frame for the areas of enquiry for this program.

This program was by invitation only.

People
Partners
Program Overview
Photos
Related News
Participants
Alberta Arthurs
Principal, Arthurs.US; Former Director for Arts and Humanities, Rockefeller Foundation, New York
Georgia Beeston
Co-Founder/Director, Bosla Arts, United Kingdom
Ahmedur Chowdhury
Editor-in-Chief and Publisher, Shuddhashar FreeVoice, Norway
Sharayna Ashanti Christmas
Artist /Founder/CEO, Muse 360, United States
Matthew Covey
Executive Director, Tamizdat, United States
Anas Darkaoui
Programme Director, The Asfari Foundation, United Kingdom
Rachelle Deguara
Multidisciplinary Artist/ Theatre Practitioner/ Activist, Malta
Andreia Duarte
Artist, Outra Margem Productions, Brazil
Elisabeth Dyvik
Programme Director, ICORN, Norway
Saaiqa Ebrahim
Transdisciplinary Artist, Writer, Photographer, Filmmaker, Kutti Collective, South Africa
Fatin Farhat
Researcher/Art Manager, Freelance/Mawred, Palestine
Jeremy Fugleberg
Contributing and Special Series Editor, Diplomatic Courier, United States
Ayodele Ganiu
Founder/Executive Producer, Unchained Vibes Africa, Nigeria
Sujatro Ghosh
Artist and Activist, Germany
Alicia Cecilia Gomez Quiñones
Head of the Americas Region, PEN International, Mexico
Daniel Gorman
Director, English PEN, United Kingdom
Francesco Grech
Cultural Manager/Author, Gozo Regional Council, Malta
Eythar Gubara
Artist, Germany
Naomi Andrew Haruna
Lecturer, University of Maiduguri, Nigeria
Monirah Hashemi
Playwright, Actor, Storyteller, Teater DOS, Sweden
Laila Hourani
Program Director, MIMETA, Norway
Thomas James
Executive Director, The Last Resort Artist Retreat, United States
Emil Kang
Program director-arts & culture, Mellon Foundation, United States of America
Pamela Lopez
Arts Manager, Independent Consultant, Chile
Charlotte Ming
Journalist and Visual Editor, Germany
Svetlana Mintcheva
Strategy Consultant - Free Speech in Arts and Culture, Freelance/National Coalition Against Censorship, United States
Donna Miranda
Volunteer, Unyon ng mga Manggagawa sa Agrikultra / Sama-samang Artists Para sa Kilusang Agraryo, Philippines
Suzannah Mirghani
Filmmaker/Researcher, CIRS, Qatar
Maggie Mitchell Salem
Senior Resident Director - Tunisia, National Democratic Institute (NDI), Tunisia
Kagiso Molope
Novelist/Playwright/Professor, Canada
Mariia Mytrofanova
Artist, Germany
Maik Müller
Head, Martin Roth-Initiative (Institut für Auslandsbeziehungen), Germany
Helena Nassif
Director, Culture Resource, Lebanon
Getrude Vimbayi Pfumayaramba
Director, Dendere Arts Trust, Zimbabwe
Paul Rucker
Artist, Cary Forward, United States
Yotsunthon Ruttapradid
Student/Freelance, Chiang Mai University, Thailand
Manouchehr Shamsrizi
Co-Founder, gamelab.berlin of Humboldt-Universität's Cluster of Excellence, Germany
Hannah Smith
Justice, Equity, Diversity, and Inclusion Fellow, Region Five Development Commission, United States
Hannah Strohmeier
Academic Associate, Charité - Universitätsmedizin Berlin / New York University, United States
Fu Kuen Tang
Artistic and Managing Director, Bergen International Theatre - BIT Teatergarasjen, Norway
Ma Thida
President of Writer in Prison Committee, PEN International, Germany
Julie Trébault
Director of the Artists at Risk Connection (ARC), PEN America, United States
Ashley Tucker
Co-Executive Director, Artistic Freedom Initiative, United States
Chaste Uwihoreye
Country Director, Uyisenga Ni Imanzi, Rwanda
Sara Whyatt
Expert-Artistic Freedom, Freelance Consultant, United Kingdom
Kacey Kwok Choi Wong
Contemporary Visual Artist, Hong Kong
Alexandra Xanthaki
Special Rapporteur in the field of Cultural Rights, UN - Human Rights Council Independent Expert, United Kingdom
Kira Xonorika
Artist and futurist, Paraguay
PARTNERS
Program Goals

The goal of this program was to provide a supportive, cross-sectoral space for artists and their allies to exchange experiences and adaptable practices, share hard lessons learned, be mutually inspired to strengthen, and extend their artistic voices in an era of fundamental threats, and be empowered to take individual and collective action.

This program aimed to be a global lab for innovation and systems transformation by combining theory, policy, and practice across sectoral silos. We asked that each person attending did so in the spirit of active participation, exchange, reciprocity, commitment and learning.

Key Questions

The program was structured around three key themes:

Artists at Risk, Artists Who Risk

  • Where, why, and how are rights of cultural and artistic expression abused?
  • How can we decolonize the concepts of art, an artist, and artistic freedom, and allow them to grow and evolve with the era that we are in?
  • What is, or can be done, and by whom, to protect and defend artists and their supporters from real and virtual attacks?

Movements, Tools and Tactics

  • How can artists, activists and allies work together across issues and approaches to address existential threats and support each other?
  • What role do new technological advances, uses, narratives and ideologies have in helping us sustain freedom and democracy?
  • How can the strengths, creativity and imaginative power of artists be more central and recognized as helping us re-imagine the possible?

Equity, Ethics and Care

  • What forward-looking, intra-sectoral initiatives exist that create equity and action instead of guilt and reaction?
  • From snowflake to support: does the “caring turn” in social and especially youth behavior protect too much, cancel debate, or demonstrate a necessary sensitivity to others?
  • Can we feasibly, pragmatically, mutually, and equitably care for one another, and if so, what would this look like? Can tolerance be taught? Can it go viral?
Program Format

Programs at Salzburg Global Seminar are not conferences, they are highly participatory and create space for sharing perspectives, engaging in intensive learning, and committing to taking action.

During plenary sessions featuring presentations and demonstrations by ground-breaking practitioners, participants discussed and debated cross-cutting questions. Interactive sessions provided opportunities for examining tools and approaches for collaboration and action, across issue areas, sectors, scales, and geographies. Hands-on strategy workshops invited participants to imagine, share, test and engage in concrete, feasible, incremental actions, inspired by what had been heard. This, together with similar material from previous Salzburg Global programs, acted as a baseline to be revisited and observe positive change.

This five-day residential program took place in the retreat-like setting of Schloss Leopoldskron in Salzburg, Austria and was by invitation only.

Participant Profile

The program brought together a global group of 50 participants who are on the front lines of driving creative, courageous, and ethical change around the world.

Participants included artists from several areas of practice, activists, social and political scientists, technologists, futurists, leaders of cultural institutions, policymakers, academics, lawyers and journalists, and others who wanted to cross borders between fields.

Salzburg Global aims to convene groups which are inclusive, interdisciplinary, international, and intergenerational. We actively encourage participation from representatives of communities that have been historically less visible and privileged in the field of arts and culture. We especially welcome participation from people of color, disabled people, those who identify as LGBT*, those with low-income backgrounds, and from Indigenous, ethnically diverse, or migrant backgrounds.

 

*LGBT: Lesbian, Gay, Bisexual and Transgender. We are using this term as it is currently widely used in human rights conversations on sexual orientation and gender identity in many parts of the world, and we would wish it to be read as inclusive of other cultural concepts, contemporary or historical, to express sexuality and gender, intersex and gender non-conforming identities.

Photos


View full set on Flickr

All images are available for download. Please credit Salzburg Global Seminar/Christian Streilli. Unwatermarked images are available on request.